Wijayanti, Lucky Art as the Energy of Life Representation of Sasak Womanhood in Media Visual. In: The 2nd International Conference for Asia Pacific Arts Studies, 2014, Yogyakarta.

Preview

Text Icapas 2014 Proceeding.pdf Download (7MB) | Preview

Abstract

The idea of creation / formulation of the problem in the creation of fi ne art dissertation is the reality of women workers to the nature of femininity in performing arts which is interpreted as the energy of life into problems of women workers. The idea is then formulated into a concept of the creation of the work, the role of women as guardians of the family, gave birth to off spring, and the resilient nature of women as breadwinners for survival. Butler (1999) stated about the person without a permanent identity. This can be interpreted to mean that human beings can change, such as when women do the activity or work then she becomes masculine, with the nature of the fi rm, sturdy and tough. But when the woman returned to her family then turned into a feminine, serving children and her husband with his nature. Through the creative process to create art works by presenting a ‘rasa’ that can be captured and responded to by the brain into something that is the essence and recorded in the memory, (VS Ramachandran, 2012). While Deleuze (2003) who discuss about sensations on the work, will appear on the processing and exploration of female fi gures through visualization bandage cloth (like stagen) which gives the impression of a dynamic and moving. The study was conducted using a visual aesthetic and creative, analyzing aspects and women’s clothing as a form of social status and the energy of motion of the repertoire of puppets and sculptures. The results of further analysis form the basis of making a sketch that refl ects the energy of life in women. In the process of making sketches exploration through visualization elements of aesthetic forms, such as: form, line, color, shape, composition, and texture. As for all stages of the establishment of the work based on the stages of the creative process works according to Csikszentmihalyi (1996), namely: preparation, incubation, insight, evaluation, elaboration, and presentation of an exhibition of art and the performing arts. In general it can be concluded, that the aspects of the subject matt er, which ultimately guarantees for women’s lives is the women themselves; in the technical aspects, to make the concept of women through the aesthetic form as a representation of the feminine form required in the creative process visualization method.

Actions (login required)

View Item